YNGVILD K. ROLLAND     @



     the shape of sound to come / Lillesalen Konsertserie / Chateau Neuf, Oslo / September 2015
















 






















the shape of sound to come is a descriptive title, connecting the exhibition and the collaborative process with Rolf-Erik Nystrøm, who used my
work (shape) to
compose a piece of new music (sound). The works I presented were monoprint, drawing, and sculpture made by reshaped and
translated
musical instruments


the shape of sound to come also refers to Ornette Coleman's avant-garde album The Shape Of Jazz To Come (1959). Coleman discarded
traditional
concepts, and embraced improvisation and the dissolving of structure, as methods for creating music. I was interested in how these
methods correlated
with my work process.




















     © 
2007-2019 Yngvild K. Rolland. All rights reserved.
works10
works9
works8
works7
works6
works5
works4
works3



writings
/publications
video/Vimeo